*dropped off the edge again, down in Juarez...i don't think you even
know what you
think you just said...*
Tori Amos on the jukebox, wailing and whining
and reminding Todd Manning in
some ugly way of nobody so much as his long-gone "victim" Marty Saybrooke--big
hair, piano-playing, self-righteous ire. Confirming yet again how it
really is like
there's just one of everything here in dear ol' Llanview, Pennsylvania:
One church,
one courthouse, one restaurant, one hotel, one police station, one
bar. And
everybody has to go there and only there, no matter for what or why.
You want
luxury, you check into Renee's place--want surgery, go down the street
and check
into the E.R. Go to jail and you end up in Statesville, like Todd's
old L.U. frat
buddy Zach, who's probably just over halfway through doing the same
whack of time
Todd himself should still be doing on rape/assault and conspiracy to
obstruct; go
crazy and you end up in the only bin around, like Todd's big sis Vicki,
or his
ex-wife Blair's mother, or Todd's *other* frat buddy Powell. Like Todd
himself
could've, he'd played the bullshit Multiple Personality Disorder card
out to its
illogical conclusion, way back--when? Two years ago, maybe three?
If that.
History piled on history everywhere you look,
knotted-squirming like an
upended bag of snakes. Like layers of dirt and scratch on a bar-room
glass--doesn't
matter what you pour in on top of it, 'cause the marks don't ever go
away. And when
you drink down far enough to be able to see 'em again, then...
...well, that's when it's *definitely* time
to yell out for another round.
And: "How'd you get the scar?" That foxy-faced,
green-eyed guy on the other
side of him picks this exact time to ask. He's down the end of the
bar, playing
with his beer-glass like if he studies it long enough, it's gonna fill
up again all
by itself; Todd gives him the two-kinds-of-suspicious narrowed glare
that keeps
most people away--far away, like far as they can get without running.
But buddy
here just keeps on waiting, 'till Todd finally tells him--
"Chick hit me. With a piece of pipe."
"That happen a lot, around here?"
Todd shrugs. "Sorta..."
Adding, at the same time, inside his head:
...but mainly if you're me.
Looking at himself in the bar's equally grimy
mirror, now: His fucked-up face
with its fucked-up scar across one cheek, thin and white like wire,
from where that
freaky witch-bitch Luna Moody whammed him over the side of the head
to stop him
putting the boots to Marty one more time. Back when he was still arrogant
with
old
football star privilege, sloppy beer- and puppy-fat over steroid-pumped
quarterback
muscle, hair to his shoulders and a fresh new tribal tat on his arm.
Back when he
was nobody but Peter Manning's disappointing one and only son, packed
off to the
back of butt-fuck nowhere for not being much good at anything but getting
ripped
and throwing games, already well on his way to being elected Frat Boy
Rapist #1 for
the rest of his natural life.
Nothing at ALL like the slick mother he seems
like now, with his Armani suits
and his "hip" jaw-stubble. Town demon Victor Lord's lost kid. Tabloid
editor.
Uncaught cyber-terrorist. Resident alien.
Him and Blair used to laugh about it, once
upon a whatever. Play pariah games:
My angst is bigger than your angst, baby. Commiserate, make lists--who
I'm gonna
"get", in order of importance. One to infinity.
That year he was down so far he had to *steal*
a Christmas tree off the
garbage heap, and Blair came to see him in that crappy no-heat, roach-ridden
motel
room. When they made Starr together, and Todd had his first good sleep
since
Marty--kind of sleep he'd never had before, and sure hasn't had since.
Back when, back when, back when.
'Course, Blair's been on that list herself,
since then. A couple times, in
actual fact.
*but no angel came...*
And here's that same guy, again. Asking:
"So--there an end to that story, or what?"
"'Scuse me?"
"The chick, with the pipe. She still around?"
Todd takes a fresh swig, finishes the glass,
snaps his fingers at the
bar-droid for another. Gets 'tude in return, and turns his scowl into
the world's
least convincing grin: Puh-LEEZE, O dispenser of beer and disapproval?
Pretty
please, with a big fat hundred-buck bill on top?
*Thank* you.
"Nope," Todd tells the guy. "She got something,
died. Her ex married mine."
"*That* happen a lot?"
"Getting married, or getting dead?"
"The 'dead' part."
Todd frowns. "Around here? Kinda, yeah."
Come to think.
Freaky Luna, plus that just-as-freaky other
chick whose name Todd can't even
recall anymore, considering he almost went back to jail--strapping
dynamite to his
body, racking up three hundred years'-worth of kidnapping charges,
screwing hisa
lready-screwed rep beyond any hope of resurrection--over trying to
prove he wasn't
her murderer. Plus Blair's aunt Dorian's guy Mel. Plus Todd's neice
Jessica's baby.
Plus Marty's older-than-old boyfriend, long before she took up with
that dude
Patrick from Ireland: Suede Pruitt, with his stupid name and his crappy
aim, taking
a punch from Todd only to fall backwards, hit his head on something
and *die* right
there in the church basement while Marty screamed over his body that
she'd see Todd
punished if it took her the rest of her life...
People dying, people leaving town. Todd's
bible-thumping little Eurasian first
"girlfriend" Rebecca, his hotsy-totsy Hispanic lawyer turned second
wife Tea. Marty
herself, so long-gone now it was like she'd never been here at all,
except for that
lingering stink Todd still carried around with him every fuckin' place
he
went--inside of Llanview, or out--
What he'd done to Marty. What he was capable
of. Or...
...*not*. Capable of.
But anyway: They died, and they left, and
that was basically pretty much THAT.
'Cause once they weren't around anymore, everybody just--kinda--
--forgot all about 'em.
As so often happens, here in lovely downtown
Llanview--home to Lords and
Buchanans and Kramers alike, untapped treasure of the Hex-Sign State.
Selective
amnesia central.
And: "Alex," the guy says, like he's finally
got tired of waiting for Todd to
ask. "That'd be me. Which would make you--?"
Todd snorts. "Like you don't already know."
"I don't."
The glare again, even narrower. Then: "You're
kidding, right?"
*and no angel came...no angel CAME...*
Oh, and *fuck* Tori Amos, anyway, is all Todd
can think, not even vaguely
meaning it literally--never does, these days, about almost anybody.
Blair,
sometimes, even after everything: Fragile Blair, much too thin and
muscle-y and
strained for that weird buzzcut 'do she started sporting sometime during
the last
time Todd spent "away", fretting herself to a thin white rope over
Max
not-exactly-Buchanan and his wall-eyed hooker Skye. Always throwing
painful eyes at
Todd, shrewd and sad at the same time, like she's trying to figure
out his next
play before he has time to figure it himself, let alone make it.
Like nothing's ever gonna be enough to break
that plexiglass shield between
them, not any more. Not hacking Llanview into a blackout, not setting
off
fireworks, not even Starr jumping on the bed and crowing over the two
of them at
total top volume--
*Mommy and Daddy are getting back together,
Mommy and Daddy, Daddy, Daddy...*
Stepdaddy Max in the hospital, shot through
the chest. "Auntie" Skye in jail
for the crime of passion in question, or close as Todd could wangle
it on sheer
improv and short, short notice. But Star could give a damn about any
of *that*,
man--pure Manning/Lord tunnel-vision under that curly mop, times at
least five to
ten.
And that's cool. Todd'd be kinda more weirded
if she *didn't* come with her
very own pre-school hidden agenda attached, considering. Chip off the
old whatever.
Sometimes, though, he feels it so hard he can't
even stand to be near her.
When she looks at him with Blair's canny-crazy Kramer gaze, and he
feels the raw
space where he always heard his heart should be fill up, go sore. Pump
out all
these awful hallucinations about karma, or some crap: Voices he doesn't
even have
to make up whispering about retribution visited even unto the last
generation. How
Sam and Nora's little baby is gonna grow up and do Starr just like
Todd did Marty,
or worse. How *he*'s gonna do--something--
Peter Manning's bad example. Victor Lord's
blood. Genetics, man. *Logic.*
But: No. Never. Not EVER. 'Nuff said.
That's the fear, though, or what Todd thinks
must *be* "fear". Along with the
simple fact that none of any of them can ever seem to let anything
GO, ever, not
for one single fucking second. That the one thing that everybody in
Llanview always
remembers, no matter how everything else slips away, is how Todd Manning
has to pay
and pay and pay. And then die, and go to Hell, so he can pay and pay
and pay some
more. Forever and Ever. A-fucking-men.
Hell, where it's no doubt gonna be Dad-not-Dad
Peter himself holding Todd's
hand to the stove 24/7, with no time off for begging, screaming, pleading,
crying.
While Dad-yes-Dad Victor Lord gets to stand around and laugh over how
he managed to
fuck Todd up so royally without even knowing he existed, screw him
so long and hard
from the very moment of conception on. Quite the feat, 'specially for
some dead
dude.
Nothing ever ceases to amaze Todd, even now.
Tries to take it all in stride,
but it just ends up making him double-take on his double-takes, mostly
without even
knowing he's doing it. Drifting through life with a brow continually
cocked, that
wrinkle between his eyes deep enough to hide change in. Like: You're
kidding,
right? Say *what*? 'Scuse ME?
Or don't.
And because he's far drunker and more completely
fed up than ever with
Llanview's crap in general, Todd suddenly finds himself blurting out
most of the
above--at *length*--to Mr Green-eyed Handsome Man at the end of the
bar, in his
leather jacket with the one sleeve hanging slack. "Left my left back
home," buddy
says, off-hand (ha, ha), like he expects Todd to be *shocked*, or something;
prob'ly thinks he's got it pretty harsh in general, no doubt.
Though, as Todd's quick to point out, in the
harsh realm--so to speak--Todd's
own personal bag of glitches still rate a lot harsher than most.
"So, what do you hicks do for fun 'round here,
anyway?" The guy asks, idly.
"Threw a party once where I strapped dynamite
to my chest."
"Co-ol."
"Yeah, whatever."
"You mess around?" The guy inquires, appropos
of nothing much. Dark arched
brow over glass-green eye-flick, smooth and cool and not exactly *engaged*
enough
to take it personal if Todd tells him to shove off instead.
Todd takes a swig, swallows, growls. "With
who?"
"Anybody." A pause. "Me, for example."
*Oh, like I couldn't see *that* one coming.*
But still.
Casting him the usual cold, appraising look,
from which buddy--unlike
most--doesn't even start to shrink. And thinking how this guy's probably
played a
few pariah games too, in his time. What with him being some gimp, some
drifter
freak, some gear-loose out-of-town fag on the prowl for rough trade
in a burg so
unbelievably Daytime Broadcasting Standards-clean it practically squeaks
when you
walk around, let alone when you do...anything else...
"I raped somebody. You heard about that, right?"
"No, I hadn't heard about that."
"I'm a--convicted--rapist. And I lie. And
I make lists of people I'm gonna
get. And I'm really rich, and I never sleep. And I'm still in love
with my--"
(first)
"--wife."
Crazy Blair, high-strung like that horse he
gave her for their first
anniversary. Crazy Starr, already keeping lists of her own. Crazy Rebecca,
crazy
Tea, crazy Marty.
Crazy, crazy Todd.
The guy shrugs. And says: "Yeah, well--I used
to be in the FBI, and I'm a
Russian double agent, and I got my arm hacked off with a dull fucking
knife knife.
And aliens exist. And there's a secret war going on. And I think *I*'m
probably in
love with this guy who hits me in face every time I see him..."
"Like 'love' even means anything, anyway."
"Exactly."
Todd looks at him, looks away. Looks back. Finishes
his shot. Gives a shrug of
his own.
"Sounds fair enough to me," he says. Adding, in
his mind: If you even believe
in "fair", to begin with.
Which Todd--
*and you know that i can breathe...even when
i cheat...should, should've been
over for me...*
--doesn't.
THE END