There are benefits. Perqs, which is how Orpheus would've put it right
that slow, flirty smile which didn't really mean anything *yet*, but might've, given
More time than Black Mask gave *them*, anyhow.
And that's one of the things that gets to her, gets *on* her, like the
way dirt just
sticks more when you're sweaty and pissed off and have shit to do -- people talk
about Orpheus' and that Spoiler girl's deaths like they were something *Gotham*
Like the Wayne Tower or maybe one of the trees in Robinson park had
the knives and the sticks and the blowtorches and everything else Black Mask had
used on the girl and done the job itself.
It didn't, and Onyx thinks she needs to remember that. Thinks maybe
to *keep* remembering it, and telling herself to remember it, or else she'll wind up...
Not dead. Plenty of things can -- and maybe will -- kill her one day.
Not being crazy.
Not like *that*, anyhow. But she'll definitely wind up crazy, and maybe more
fucked-up than she'd been *before* getting to the ashram.
Maybe even get herself a big old length of cape and some stupid-ass
pointy ears to
go along with it. That's not what she's here for, and that's *not* how she's gonna
go out. It was a man who killed her boss, partner, friend, and not-lover-yet. An
ugly sonofabitch who dragged his body around like a trophy and put on just
enough of his face to fool people who had no right to *get* fooled.
She's not crazy yet, and she still has a job to do -- even though it
*isn't* the one
she signed up for, and even though she's pretty sure it's a job that's not gonna do
*her* any good.
She's got the Hill. She can feel it now. The smells aren't nothing like
they're close enough to work, and the sidewalks and streets feel right beneath her
The people know her face -- the right ones, the wrong ones, and the
ones in between.
This is her place now, and she's had places before, but it's more important now. A
little because of the purple and black armband, a little because of something else
which she doesn't have words for.
She doesn't need them, anyway. It's all in the way the Hill changes
around her and
pricks up on her skin when something's not right, or just different. It's all in the way
every little smackdown of a dealer or nut-busted wannabe rapist seems to lead her
to *this* tenement, and *this* rooftop, and this little pointy-eared girl who wants to
play again, tonight.
The girl -- the *Bat*girl -- gives her a perfect little bow and a behind-the-cowl
that tells Onyx -- like she *needed* to know -- exactly how young she still is.
Even though the girl's hands are just like her own.
Benefits, right? *Perqs*.
Onyx takes the three steps that'll only leave another three steps between
her leg just right, and draws a nice, straight line which is only invisible to people too
damned ignorant to live.
The smile under the girl's cowl changes, sharpens, becomes something
sweet, cool ice in Onyx's veins and a smile on her *own* face.
"I don't have time for this tonight, babygirl," she says after she misses
two kicks and
a punch and hits the girl just *above* the kidney.
"Yes," Batgirl says right back, and comes *real* close to sweeping Onyx's
from under her.
"Then why we doin' this?" She's laughing. Sometimes it's a surprise
to hear it, these
days, but she's laughing.
Batgirl isn't -- not out loud, but Onyx has long since figured out that
the girl's missing
words for even more things than *she* is.
It's all in the way the girl leaves herself -- almost -- open for *two*
nerve-strikes, and the way the chop she lands on Onyx's knee only makes her
stagger -- as opposed to being something that'll give her a limp for the rest of the
It's been almost a minute and neither of them are drawing blood, and
it's... it's good,
and it's what she *needs*, what she hasn't had for so *damned* long, because
Orpheus never wanted to play like that and this girl, this girl...
"Baby, I don't have no time for *this*, neither."
"No," Batgirl says, agreeing, and doesn't give Onyx a black eye *or*
nose -- just knocks the breath out of her with the too-short wall running around
the edge of the roof.
Just sends her tipping, leaning, falling... Gotham lights and Gotham
darks and a
scream a few blocks east which'll mean something to Onyx when she's back down
on the ground. Later.
*After* this, right here:
Batgirl yanking her up and throwing her down to the surface of the roof.
her hands around Onyx's throat like a child's version of the kill-you game, with her
thumbs pressing down in a different game.
A big girl's game.
"No," she says again, and shifts the way she's straddling Onyx's waist
until it's as
clear as the look on her face under the cowl *isn't*.
A week ago, the girl might've tried to take it off. Not tonight.
"Do it anyway," she says, and Onyx knows full well that it's a question,
it doesn't *sound* like one.
Even though she isn't listening for it, as opposed to the snarl in her
own voice which
ain't nowhere close to *words*, to the soft thud Batgirl makes when Onyx rolls
them, to the girl's exhale when Onyx pins her in a way that has nothing to do with a
And after that...
After that, it's just the way the girl's uniform shifts and moves just
as easily as it should
for a non-meta vigilante who'll need to get bandaged up more often than not -- that
Robin boy's suit is *insane* -- and the way the girl's thighs feel on her hands.
Smooth and sleek and hard, only soft where the scar tissue has built
up a little. She
wants to call Batgirl 'little sister' when she spreads and arches up, wants to tell her
she knows her, that she wants her and she *likes* her, but she settles for a "babygirl"
which is almost far enough away from a growl to count.
Batgirl moans for her like she heard it all, anyway, and maybe when
Onyx takes a few
minutes to think about this later -- *if* she does -- it'll all make sense.
For now, she fucks the girl fast and hard with two fingers, fucks her
until her hard,
narrow shoulders tense and twist against the roof, and the sounds the girl makes
sound just as animal as Onyx feels.
After, when she's licking her fingers clean, the girl tries to sit up,
but Onyx only has to
jab her a little to get her stay still.
After *that*, she goes down, sucking Batgirl's clit like she'd never
dick, and then tries to do it differently, because she doesn't want to think about how
she'd never really called him 'Gavin,' and how she doesn't know if that made a
difference to the man or not.
The girl's gloves are sleek and cold on her scalp, sliding down until
they can rub against
the stubble on the back of her neck, where the hair always grows in fastest.
Here, for this, the girl is silent as the grave. Listening.
Onyx lets her hear.
When she's done, she stands, and moves back a few paces, and wipes her
with the backs of her hands, and waits.
The girl is sitting up, tights still down around her knees and cowl
not loose enough
that Onyx can't see the confusion under it.
A frown. "I want... I *want*."
The frown shifts, deepens, lightens. "Not... now?"
Onyx grins at her. "I *said* I didn't have time, didn't I?"
The girl waves a hand at her like she's trying to say something difficult
but she doesn't *look* like that, so...
So Onyx has no fucking clue, really. "You okay?"
A brief nod, then a whole 'nother frown. "You?"
Yeah, this is what it was about. Some kind of Batgirl thank-you note
on top of
everything else, or maybe under it. Maybe it doesn't matter. "No," Onyx says. "I'm
*That* gets a smile out of the girl. "Okay. You'll come to Bludhaven again soon."
It's not a question, nor should it be. Onyx nods, and gives the girl
a bow which is
nowhere near as perfect as she can make it.
It makes the girl laugh, out loud, just like that -- sprawled half-naked
on a rooftop in
a neighborhood the girl *under* the mask doesn't belong in. It makes sense -- in
*exactly* the same way as everything else.
Walking skulls and dead, good men.
Someone else might call it the other side of the coin, or maybe not.
wouldn't care even if she *did* have time to think about it, and... she doesn't.
She goes over the side of the roof, swinging from the fire escapes and
about whether she wants to start using jumplines and all that other good shit. When
she hits the ground, she tilts her head back and sniffs the air. It's not like she can
actually smell wherever the rest of tonight's trouble will come from, but it feels right
to do it anyway.
Just like the girl's eyes on her back, laser-sharp and just a little scary.
A death she won't die tonight.